Deep dives on hyperpop and rage production, beat licensing, recording, mixing and releasing songs made on type beats.
Everything to do between finishing your song and release day: checking your lease, crediting the producer, metadata and ISRC, avoiding Content ID claims, pre-saves and short-form promotion.
A practical home-recording guide for artists on type beats: choosing a mic and interface, treating your room, setting levels, matching BPM and key, comping, doubles, ad-libs and clean exports.
A practical workflow for fitting your vocal into a finished leased beat, with real starting settings for EQ, compression, de-essing, autotune, BPM-synced effects, ducking and loudness.
A producer's breakdown of the rage sound: supersaw leads, half-time drums at 140-170 BPM, distorted gliding 808s, hi-hat rolls and arrangements built around the vocalist.
Everything artists need to know before buying a beat: how leases and exclusive rights differ, what caps and publishing splits mean, how Content ID affects leased beats, and what to check first.
A complete guide to hyperpop: its roots in PC Music, SOPHIE, Charli XCX, 100 gecs and digicore, the sonic traits, BPM and tuning ranges, and how to write songs on hyperpop type beats.
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